Antigones tragedy in the play antigone by sophocles
This is emphasized by the Chorus in the lines that conclude the play. Love is a major issue in Sophocles Greek Tragedy, Antigone.
But not burying a relative was different. She repeatedly declares that she must act to please "those that are dead" An. However, near the end of the play, the religious conflict is resolved, namely when Antigone is condemned to isolation in the rocky cave and ends up dying by her own hands cf.
Creon himself begins to understand that his own actions have caused these events. She is defiant and scornful. In her grief, she commits suicide, cursing Creon whom she blames for her son's death.
Portrayed as wise and full of reason, Tiresias attempts to warn Creon of his foolishness and tells him the gods are angry.
Creon's decree to leave Polyneices unburied in itself makes a bold statement about what it means to be a citizen, and what constitutes abdication of citizenship. This contrasts with the other Athenian tragedians, who reference Olympus often.
Every character in the play was forced to enter the arena of good versus evil, either because they loved each other, or they loved their own convictions. Tiresias warns that all of Greece will despise him, and that the sacrificial offerings of Thebes will not be accepted by the gods, but Creon merely dismisses him as a corrupt old fool. These two opposing views — that citizenship is absolute and undeniable and alternatively that citizenship is based on certain behavior — are known respectively as citizenship 'by nature' and citizenship 'by law. Herodotus discussed how members of each city would collect their own dead after a large battle to bury them. This argument states that if nothing had happened, nothing would have happened, and doesn't take much of a stand in explaining why Antigone returned for the second burial when the first would have fulfilled her religious obligation, regardless of how stubborn she was. The consequences of the battle between Eteocles and Polyneices serve as the precursor to the conflict between the principled views of Antigone and Creon. Ismene refuses to help her, not believing that it will actually be possible to bury their brother, who is under guard, but she is unable to stop Antigone from going to bury her brother herself. Heidegger's interpretation of the text describes humankind in one word that captures the extremes — deinotaton.
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